“How is it going” vs “Where is it going”
In Fosse’s trilogy, how is what matters. The story does not exist merely to say where it is going. László, Bernard, Murnane — all of them are about how. Hunger is how, Stoner is how. In Dostoevsky and Leo (Tolstoy), how is primary. Their where is also magnificent — especially in works like Anna Karenina […]